The difficulty with painting is, where and at which point is it at rest, if it has only infinite possibilities, especially when it occupies a seemingly finite form, which remains unmoving and constant. We are dealing with opposites again that are inconclusive and still belong to a random system and are ever changing, that do not slow down or increase in speed. It is a permanent state with a natural velocity and a versatile chronology contained or systematised into a pattern that is impossible to surrender, because on a bigger scale, the above mentioned is flawless.